“Having greatly enjoyed working with Philip Glass on my first libretto (based on J.M. Coetzee’s Waiting for the Barbarians), I was delighted when he asked me to work on a second, this time an original. However, when he said the subject he had in mind was the final week of the Civil War, I was forced to admit I knew next to nothing about the subject. He seemed pleased. That’s what he wanted, he said, an objective outsider’s view.
Philip’s thought was that the principal protagonists in the war—Grant, Lee and, in the background, President Lincoln—had all behaved in an exceptionally civilised way. He wanted to make an implicit critical contrast between this and the botched and vindictive manner in which these matters have been conducted in our own era. Read more
“The history of Appomattox began in 2005 when David Gockley—then head of Houston Grand Opera—invited me and writer Christopher Hampton to prepare the opera in Texas. I was interested in a southern opera company and was very happy to begin a new project with David, who had already produced three of my operas in Houston. As it turned out, the premiere of Appomattox took place with San Francisco Opera in 2007, after David moved to that city to become the company’s general manager.
The first production of Appomattox took the story from the fall of Richmond in 1865 in Act I, to the murder of three civil rights workers in Tennessee in 1965. Christopher Hampton has remained the author of the original libretto and continues as such for today’s new production. Read more